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framingthequestion

~ Reflections on memory, history, photography and culture

framingthequestion

Tag Archives: NotoAI

Pseudohistory

22 Sunday Mar 2026

Posted by jaimeashworth in Culture and Politics, The Holocaust: Representations and Meanings

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Auschwitz, Dagmar Herzog, David Irving, Disability, eugenics, Euthanasia program, history, Holocaust, Holocaust Denial, Holocaust Education, Holocaust memory, Josef Mengele, NotoAI, Pseudohistory, representation, T4 program

Two images, both purporting to be of the site of Auschwitz II-Birkenau. The one on the left, however, is an AI-generated fabrication posted to Facebook earlier this month. One depicts a reality, the other is a fake. This is not negotiable.

I once had an interesting discussion about whether it was possible to deny the historical truth of the Holocaust without being antisemitic. I quipped at the time that I thought it was perhaps theoretically possible, but that I’d never seen it done. 

For the avoidance of doubt, I believe that denying the Holocaust (including “softer” forms of denial now classed as Holocaust distortion) is inherently wrong and offensive to all Jews everywhere. But it is especially offensive to survivors and their descendants who have to endure the reduction of their suffering to a side issue in an attempt to “debate” what should be incontestable. Namely, that the Nazis and their collaborators across occupied Europe killed six million men, women and children ideologically defined as Jews.

This is on my mind because, as is the way sometimes of social media, I have spent far too much time this weekend defending the right to term eugenics (in the present) a pseudoscience. The spur was a post by Dr. Aparna Nair (a historian of disability and colonialism who can be followed at @disabilitystor1.bsky.social) on Bluesky, which ran:

It is entirely possible and easy to disavow the ideas and ideologies of eugenics and scientific racism etc without reifying the idea that these are not part of the ‘legitimate’ histories of science.

I agree. And to show I agree, I posted the following :

I would distinguish between people who believed in them historically, to whom they had the power and legitimacy of science, and those who persist with them now, who should know better. For the latter, I think “pseudoscience” fits.

Since I think they’re wrong, but possessed of good intentions, I’m not going to quote or identify my two subsequent interlocutors here. But I will say that they seemed very concerned that I understood the following:

Firstly, that eugenics was by no means absent from modern science, especially medicine. And that this translates into persistent negative outcomes based on gender and ethnic background. 

I’m well aware of this, as well as of the undeniable crimes committed as a result. For example, Josef Mengele is notorious for his experiments on inmates in Auschwitz II-Birkenau. Among many other hideous things, particularly in relation to twins, he was responsible for the obtaining of “samples” (i.e. body parts from prisoners) to support the work of his doctoral supervisor, Otmar von Verschuer, then head of the Kaiser Wilhelm Institute of Anthropology, Human Heredity, and Eugenics in Berlin. Verschuer’s predecessor was Professor Eugen Fischer, with whom Verschuer conducted research (funded by the Rockefeller Foundation) on twins in 1932. Fischer, who in 1938 individually interviewed mixed-race German children and signed off on their sterilisation, had started his career with a 1913 study entitled The Rehoboth Bastards; about the mixed-race offspring of German men and African women in German South-West Africa (now Namibia). Between 1904 and 1908, German forces carried out a genocide against the Herero and Nama peoples. In 1924, the then-standard textbook in anthropology and eugenics co-authored by Fischer (partly due to the success of his work on Namibia) was one of the books sent by his publisher to another prospective author: Adolf Hitler, in jail following the attempted Munich Putsch. For these and many other reasons, I am extremely aware of the ways in which scientists can perform atrocities. That they believed these ideas to be “scientific” does not change their guilt. 

Moreover, while recently reading Dagmar Herzog’s superb The Question of Unworthy Life: Eugenics and Germany’s Twentieth Century, I was really moved by the idea of a “fascism in the head” with which we must still struggle. Herzog illustrates how a consensus on “unworthy life” crystallised shortly after WW1 out of eighteenth- and nineteenth-century attempts to (mostly compassionately) institutionalise people with a broad range of psychological, psychiatric and learning disabilities. Combined with eugenic thought, this resulted in the still insufficiently understood (and insufficiently taught) murder of the inhabitants of these institutions under the Nazis. Finally, though, Herzog demonstrates how conditions and even staff in many of these places persisted post-war. The murder of at least 300,000 people (see Alex Kay’s Empire of Destruction, 2021) should have been enough to change things. But it wasn’t, in either East or West Germany, because the inhabitants of institutions were still “unworthy” of life and dignity. 

The horrors of WW2 weren’t even enough to shift attitudes about disability in the UK. The treatment of thalidomide-affected babies included (as movingly depicted in Call the Midwife) leaving them to die alone in cold rooms. If you question whether this is an appropriate citation in this context, in response to a recent query by email to the Thalidomide Trust, I was directed to the still mostly sealed testimonies in their oral history project. (https://wellcomecollection.org/works/d32pgtn4 ) There will be a reckoning at some point, but not yet. But for now let us acknowledge that fascism was not just present in German heads. 

Secondly, however, there seemed to be concern about the feelings of those still espousing eugenics or denying the Holocaust today. Was it fair, someone asked, to dismiss them with a single word? 

Yes, was my response. And in the case of Holocaust deniers, that word would be “pseudohistorians,” because while they claim to be talking about the past, they do not subscribe to the practical or ethical standards which constitute the craft of the historian. For example, you cannot, as the late and unlamented Robert Faurisson claimed, read a document only in reference to itself. You cannot, as David Irving did, wilfully mistranslate documents to change their meanings.* Just as a eugenicist is no longer “doing science” by importing discredited and racialised value judgements, these people are not “doing history”  – which is always engaged in constructing an account of the past based on the traces (plural) of that past as they relate to and inform each other. Instead, Holocaust deniers are intent on attacking the dense web of evidence and source material that makes the fact of the Holocaust incontrovertible. To do so, paraphrasing Mr. Justice Gray in his judgment against David Irving, Holocaust deniers “persistently and deliberately misrepresent and manipulate historical evidence” for their own ideological reasons.

Do bad questions and problematic assumptions sometimes produce bad history? Absolutely. There are many historians whose work proceeds from problematic and controversial premises, with a resulting weakness of conclusions. Because those premises almost always result in problems with their selection and analysis of sources. In other words, it may be bad history, but it’s still history, and open to critique on those grounds. (And yes, of course, most of those I criticise would disagree with my disagreements. That is very much how and why historical conferences exist.)

As for those who parrot these views (whether the pseudoscience of eugenics or the pseudohistory of Holocaust denial) can we dismiss them so easily? 

It is of course possible to be misinformed and misled in good faith. It is also entirely possible to be unaware that such beliefs are offensive – though I would question how one could be unaware of this now. There is too much evidence, too many books, films, plays and every cultural product imaginable to say “I didn’t realise” without also admitting that one’s education has fallen short. (And I acknowledge that there are many other areas where this may be true of me: I’m the product of an education system which specialises far too soon, as well as temperamentally someone who knows a lot about relatively few things.) What is decisive is whether people acknowledge their mistakes and concede that others may have invested considerable effort in constructing their understanding for themselves. 

In my own case, I’ve spent my adult life teaching and learning about the Holocaust. I’ve conducted primary research on some issues, and rely on the work of other scholars for the rest. In the last year, I’ve noticed how many of my responses to Holocaust distortion in AI-fabricated “historical images” have been countered with the argument that my Ph.D. in Holocaust Studies is less important than “what really happened.” But as historians we do not have “what really happened” available to us. We have knowledge of the sources and how they combine to create an understanding of the past. Since AI is being used to fabricate “documents” it is my duty as a historian and responsible citizen to challenge them. If that makes people uncomfortable or embarrassed at having been fooled, I’m sorry. But the integrity of the historical sources is not negotiable. Or else we will slide into a mire of illusion and false enchantment which will make meaningful discussion almost impossible. From pseudo-sources there will only come pseudohistory. 

*See Richard Evans, Telling Lies About Hitler and Robert Jan van Pelt, The Case for Auschwitz, for superb explorations of Irving’s malfeasance, the evidence he ignored and/or manipulated, and his ultimate inability to sustain his pretensions to historical truth.

Note: I’m now registered with Buy Me a Coffee: if you found this post useful or interesting, please consider sending me a small amount to help me do more. Thank you! https://coff.ee/jaimeashworth

Simulated Horror: AI and the Holocaust

29 Sunday Jun 2025

Posted by jaimeashworth in Culture and Politics, Photography and Visual Culture, The Holocaust: Representations and Meanings

≈ 2 Comments

Tags

Artificial Intelligence, Auschwitz, Holocaust, Holocaust Denial, Holocaust memory, Holocaust Photography, Never Again, NotoAI

Images In Spite of All, or Images in Spite of the Facts?

Above: Mendel Grossman (1913-1945) takes a self-portrait. He chronicled the Lodz Ghetto until his deportation to Auschwitz; he is reported to have died on a death march. Many of the negatives of his images were held in Israel and lost in the 1967 war. (Image from Wikipedia)

The ubiquity of the Holocaust in popular culture has always had costs. The saccharine American version of Anne Frank in the 1959 film; and the blockbuster Schindler’s List both received criticism for their simplification of a complex reality. In an age in which we are forced to surrender more and more of our creative and intellectual autonomy to AI, they are a starting-point for reflection.

Anne was a complicated, contradictory personality whose development into a woman was (among other things) chronicled in what her father determined would be The Diary of a Young Girl. Her reflections on adolescence, religion, sexuality and identity were excised, and her control of our understanding of what happened in the Secret Annexe has made it difficult to actually think through the challenges for all concerned in her predicament: being in close confinement under threat of death with a teenager must have been a challenge. (The BBC adaptation of the diary, starring Ellie Kendrick as Anne, does a particularly good job of bringing out this aspect.) The 1959 film turned Anne (ironically played by an actress in her twenties just six years Anne’s junior) into a simpering and rather pathetic figure, with (as many have observed) her Jewishness pushed into the background.

In 1993, Steven Spielberg turned an untrustworthy and feckless chancer (who did a lot of good) into a tragic hero in opposition to a bottomlessly corrupt and evil opposite: the commandant of KL Plaszow, Amon Goeth, played by Ralph Fiennes. It prompted widespread calls for Holocaust education and coincided with the opening of the United States Holocaust Memorial Museum. But many people have pointed out the film’s flaws. Fundamentally, it is still a Spielberg movie, with a clear moral arc (focused on a man who initially saw Jews as a resource to be exploited) and a redemptive ending. It popularised the Talmudic adage that “He who saves a life, it is as if he saved the world entire”, but the film is actually quite uncurious about what those lives meant. “The list is good; the list is life”, but how was it made? And who was not included? The arresting image of Schindler addressing the factory makes clear the relative status of rescuer and rescued. 

Liam Neeson as Oskar Schindler announces the forthcoming liberation in Spielberg’s 1993 film (IMDB)

The 1990s also saw instrumental use of the Holocaust as a rhetorical weapon for unlikely causes. Perhaps most egregiously, the claim by the NRA that the Jews should have had guns to defend themselves. This not only reduced the tragedy of European Jewry to the Gunfight at the OK Corral, it also implied that gun owners were a persecuted minority on a par with the victims of genocide. The consequences of such disingenous faux-victimhood is visible in every news item from the contemporary United States.

But at least these claims were rooted in an agreement about what was real. In the last few days, my social media has been subjected to a slew of AI-generated “images of the Holocaust” by the “90s History” feed: not my choice, but a result of the algorithms’ ability to present the virtual world without discussion. 

These images are disturbing. Based on stories which even I (with thirty years of reading on the subject) can’t easily identify as fact or fiction. The accompanying images take elements of the Holocaust and build a parallel universe of images which could not have been. 

Another 90s blockbuster, The Matrix, is useful to consider here. Amid the hysterical, cartoonish violence, a serious point is raised. In a simulation, how can we know what, if anything, is real? The movie says the trick is to know “that there is no spoon”: thus, Neo (Keanu Reeves) can make the world behave as he sees fit. 

The philosophical depth of The Matrix is a matter for debate. But at one point a glimpse is given of Jean Baudrillard’s Simulacra and Simulation (1981; English 1983). Baudrillard argued that simulacra – copies for which there are no originals – were a burgeoning feature of the postmodern condition. Art Spiegelman’s MAUS, which reproduces his father’s Auschwitz testimony in graphic novel form, with Jews ”played” by mice, poses something of this challenge. But so too does Schindler’s List, in that it is arguably more faithful to Thomas Keneally’s novelisation of the story than to the facts themselves. But in each case, we can find solid ground under our feet. Plaszow existed, so did Goeth. Władek Spiegelman existed, as did Art’s brother Rysio, murdered by the person hiding him. It is essential to remember that these were real.

But the woman holding a child as she walks through a simulated “Arbeit Macht Frei” gate? The woman delivering a baby in what appears to be a wooden barracks allegedly in the Lodz Ghetto? The women proceeding through “Auschwitz” in identical woollen overcoats rather than the rags such prisoners were given? The nonexistent memorial tablet in a part of the Auschwitz camp that does not exist? 

It might be argued that these are uses of technology to fill in gaps. But the historical record is evidence and gaps, in the same way that music is sound and silence. Both are needed: one for aesthetic purposes and the other for epistemological and ontological reasons. A Holocaust in which everything was saved, all is known, is much less of a Holocaust. It is the implied gap in the vast Book of Names held at Auschwitz – for which two million names will never be known – that provides the impact. 

FAKES

The smooth glossy surfaces of AI are infinitely easier than the real thing. The gritty, hastily taken “images in spite of all” (Didi Hubermann) taken by the Sonderkommando in summer 1944, as prototype gas chambers and burning pits had to be used to cope with the endless stream of deportations, are blurry, badly framed, at odd angles. But this is testimony to the reality of the situation: taken with a camera stolen from luggage brought by the victims, fearful of discovery. The author John D’Agata and fact-checker Jim Fingal begin their fascinating The Lifespan of a Fact with two epigrams from Lao Tze: “True words are not beautiful” and “Beautiful words are not true.” The flaw in the lens, the smudge in the record, the gap in the tape: this is the texture of evidence.

Above: the photographs taken by the Sonderkommando at Auschwitz II-Birkenau, Summer 1944 (Metropolitan Museum of Art digital copy)

It is possible that critics of this view might call me a Luddite. I wrote in 2017 of the risks I believed were posed by the efforts to create interactive holograms of survivors. I feared what they might be able to say in the future, uncanny purveyors of algorithmic “wisdom“. In the age of deepfakes I’m only surprised (and dismayed) that the world has changed so fast. But this confusion will only favour those who continue to deny, distort and denigrate the memory of the Holocaust: against such duplicitous and mendacious fakery, the best historian will flounder. We do not need to make their jobs easier in the quest for clicks: to do so is to cheapen the event we sigh wistfully over before scrolling onward.

And what to do? The director of Shoah, Claude Lanzmann, once said that if he encountered film of the gas chambers he would be compelled to destroy it. While I am unsure whether I could watch such a film, my instinct as a historian is that preservation is generally preferable. As a record of the insanities of the 2020s, these images may be valuable in the future. But these images are also, in my opinion, the historical equivalent of littering. So for now, I suggest two established technologies are most useful: the delete key, and the off switch. 

For the follow up piece on reactions: click here.

Note: I’m now registered with Buy Me a Coffee: if you found this post useful or interesting, please consider sending me a small amount to help me do more. Thank you! https://coff.ee/jaimeashworth

Recent Posts

  • Pseudohistory
  • The Holocaust and its Perpetrators: A Response to Douglas Murray and Andrew Roberts
  • Cracked Mirror: Holocaust Unconsciousness
  • The Price of Memory
  • Simulated Horror: AI and the Holocaust

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